Blackmagic Design nāk klajā ar pieejamu digitālo kino kameru (video)

Travis, when I posted that I hadn't phsaucred the Shuttle yet. But like you, I've never gotten it to work. So all I have is a beautiful white paperweight with HDMI ports on it. IAs a result I hardly use my DV30 camcorder. Instead I use the AVCHD 1080p capture on my Cybershot camera. When I really need the quality of the DV30 I have to capture on a friend's PC.One thing to note is that the Envy was specifically listed as supported on BlackMagic's site when I ordered the Shuttle. But by the time I received it and started having problems, the model was removed from the very same support FAQ on their site. Not a very good way for them to do business at all.

Yep. And not only is the NEC USB 3.0 controller reeqriud, but only some motherboard chipsets can support the full bandwidth of USB 3.0 and apparently the chipset in the ENVY and many other notebooks doesn't. It's ironic. I see there's now a Thunderbolt version of the Shuttle. But the only systems with Thunderbolt are Macs and they all have FireWire anyway. Anywho, I've long since gotten hooked on the flash storage workflow so even if I could get this baby to work I'm not sure I'd use it much. Copying footage off of SD cards beats real-time capture any way and I'm sure you'd agree, Greg.I guess this is just one more example of the user getting bitten by over-enthusiastic technology that can't deliver on its promise.

I have a late 2007 MBP and installed Kingston SSD into it. Each time when I turn on FileVault2, I get a corpurted file system. I can run months without any signs of corruption, so it is not a disk issue. But turn it on, reboot, encrypt, check -> corpurted file system.May be it is specific just for me, but I would recommend to run Disk Utility and check the encrypted disk right after encryption. And do not forget backups, of course.

2 NAB's ago, I ran into an old buddy from my discreet days who was worinkg for a company called Maximum Throughput. He demo'd me a completely cloud based NLE. A little primitive, but completely impressive. He got me a beta account and I showed it to a few groups back home. About 6 months later, Avid quietly acquired Maximum Throughput.I'd seen some infrequent press releases about Avid tech demos showing related technology with Media Composer as the front end. With the cloud maturing, I knew it would only be a matter of time. This year Adobe shows larger scale forward looking tech demo and Avid offers Media Sphere as part of ISIS. This will change everything.Although I didn't get to see the Adobe demo, I'm hoping its akin to Cloud BIN .Editor A has footage locally and starts to edit.Frames from sources used in active sequences start to sync to the cloud at both proxy and full res versions.Editors at other locations can pick up the project from the cloud playing back via proxy stream first with full res frames filling in intelligently via usage.totally cool. I'm psyched .Alex